Wednesday, May 13, 2009

"I'll wait up in the dark/ For you to speak to me..."

Mornin! I'm trying to start the day off right despite another Yankees loss and my Red Wings running in to the wall known as Jonas Hiller. By the way, Niedermayer, you're a bitch. If you're going to go after Datsyuk (not exactly known as a bruiser), do it like a man instead of throwing a cheap elbow. I might be biased a bit but it looked to me like Anaheim decided that winning wasn't enough and needed to start scrapping with all of Detroit's best players. Not to mention the fact that they have been constantly crying to the refs. You stay classy, Ducks.


But I'm getting off point. So, on my hour long ride in to work I knew I was going to hear nothing but talk about Roger Clemens and the NBA, which I stopped paying attention to about 10 years ago. Luckily, I had Pearl Jam's reissue of Ten handy. I have mixed feelings about bands kicking out greatest hits and reissues and all that junk when they feel like making a buck. And lets be honest, the addition of this album to the collection for your average loyal Pearl Jam fan means that you now have about 50 versions of "Evenflow" to choose from on itunes. But you know what, I don't even care. The differences between this cd and the one that was released almost 20 years ago are subtle but it's still the kick ass collection of songs that can still get me amped all this time later. "Once" is just as a good an opening tune as it's always been and "Release" still brings it to the perfect close. And I don't care how many times I've heard "Evenflow". I will still mumble along with Eddie. Underrated "Deep" and "Garden" are still better than almost all the crap that passes for rock being released these days. They tack on some extras at the end of the cd, which is nice, but most of it seems like filler. They have live or demo versions of "Breath" and "State of Love and Trust" but neither are nearly as good as what you get listening to the Singles soundtrack. The best of the extras is probably "Brother" which adds vocals to what was a pretty nice instrumental song on Lost Dogs. Also, "2,000 Mile Blues" is a step out of the comfort zone, but seriously Eddie, you don't really have the pipes for a blues tune. McCready steals the show on that one.

All told, it's good enough to tide me over until their upcoming album and it also polishes up what was already one of the best albums ever released.

And Niedermayer is still a bitch.

2 comments:

  1. Niedermayer..he's a dead man. Dean Wormer..DEAD. Mamalard......Dead!

    What...you've never seen "Animal House" before?? Please 'tray, please tell me you've seen the "Animal House".

    By the by, I think Eddie may have the pipes for a steady blues tune, look into "Drifting" on Lost Dogs and try to tell me otherwise. Try to..../shakes fist.

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  2. What is this animal house you speak of? A solace to many a wild squirrel (Chester?)and cats is what I am picturing.

    Dude, Drifting isn't blues. It's kind of folksy. 2,000 Mile Blues is a blues tune in the traditional sense like Red House with the crazy guitar fills and all that good stuff. Give it a listen. It just kind of points out that Eddie doesn't really have a lot of soul. Am I going to hell for saying that?

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